Sunday, March 22, 2020

The Maine Oracle - Three Cards for a Quarantine

My Mother pulled these cards this morning, asking for general guidance. The three cards below seem to be speaking to what most of us are going through during these days of increased isolation.

1. "The White Owl" in the Past Position

    Last year at this time who knew that we as a 
    global community would be facing our current
    challenge and what benefits may result from the situation?

2. "Spilt Milk" in the Present Position

    You can't unring a bell, and whether or not we asked for
    our altered circumstances, drastic change has been 
    thrust upon us all.
 
3. "The Green Light" in the Future Position

    We are now, all of us, asked to get on with our lives as
    best we can, going with the flow, while following the new
    "rules of the road."  




   

Friday, March 20, 2020

The Maine Oracle - Stay in Your Lane and Maintain

“The Highway” and “Maintenance” cards from The Maine Oracle showed up for a general reading today. “The Highway” card suggests that we are traveling into the unknown, the wisps of mist are worth noting. We are asked to “stay in our lane” or keep a sensible distance. 

When I was learning to drive I was told to keep my focus further down the road, and not on the hood ornament, that is to say, during any journey there is usually a sense of what one wishes to accomplish upon arrival. 

These trying times will end, until then “Maintain the High Ground” and “Deal Fair and Square”. Difficult days ask us all for more than the usual diligence. 

The “Maintenance” card follows, a very interesting bit of repetition and emphasis I think. “Maintain” was something that was said a lot when I was younger, as in “Be Cool”. “Maintenance” suggests a bit more than mere Spring Cleaning this year. 

Whatever can be done to lighten your passage through these peculiar circumstances will bring surprising rewards. All of those things that have been waiting for a time when there is more time are still there. 

“When fishermen can’t go to sea they repair their nets.”


Saturday, March 14, 2020

The Maine Oracle - The Crybaby to the Rescue

Some days are just Crybaby Days, here is today's draw from The Maine Oracle.   
Pandemics are bad enough, I don't help the situation by dwelling on worse case scenarios. There are professionals dedicated to the task of plotting such possibilities. 

This is where "The Crybaby" can go to work. 

The Crybaby is here to take away the overwhelming urge to awful-ize. 

Flatten the curve, read a book... remember books? Watch an epic film, sort your socks... 'Twill be what it will be. Thank you Crybaby for helping me to move on, just for today.


Sunday, March 1, 2020

The Maine Oracle - On The Current State of Affairs in the U.S.A.

Life in The United States today is fraught with uncertainty. What with partisan division, vitriol and calls for unity often coming from the same sources on different days...  I thought I'd ask the cards to take a look at the national temperature.


"The Easy Chair" in the Past position suggests voter apathy, often the result of feeling that individual opinion matters little. On the other hand, perhaps too many for too long have been too comfortable... disinterested in, or unaware of the forces leading to a general feeling of unrest. Looking the other way, a person may unwittingly allow the ascent of those who do not necessarily have the greater good at the top of their List of Things To Do.


"The Lighthouse" in the Present position certainly references the ongoing political contests across the country. There is a search underway for a candidate who is up to the challenge of the Presidency, a "Dependable Beacon" who will keep the Ship of State from running aground.

"The Bean Supper" in the Future position offers reason for optimism. A Bean Supper is an opportunity for folks from all walks of life to gather, regardless of petty grievance. Here is Community and Nourishment. All are Welcome. Here is Inclusion. Prepare for Better Days.

Sunday, January 26, 2020

The Maine Oracle - The Fish, Cast Off and The Troll




These are the first three cards of The Maine Oracle. It occurs to me that they belong together, and form a continuum... backwards, forwards or forwards and backwards. Originally these images were all painted in casein media. I made pencil drawings based on the paintings and these were adapted for use in my deck. For me, this group of cards/paintings/images describe an ongoing struggle. 

The Fish prevails when disappointment and unrealistic expectations are left behind as represented in the Cast Off card. The Troll enters again and again to challenge the idea of personal progress, fueling insecurities while luring The Reader into the trap of second guessing.

Shaking off The Troll becomes easier over time. Learning to Cast Off unwanted baggage will become more of a relief, and less charged with the fear of letting go. Heeding the lessons of The Troll and Cast Off cards will allow The Reader to return to the ways of The Fish, breaking the surface and rising from the depths into the light. The cycle goes on. Three steps forward, maybe one or two backwards, but always moving a little further in a good direction.

Tuesday, October 1, 2019

The Maine Oracle - Card #1 The Fish

This Fish is showing off a little, and why not? This is the first edit of The Fish card. The font, prompt and background have been edited, as can be seen in my post of January 26, 2020.



 The Maine Oracle
Divination Deck 
  Dorette Amell    
©2019

Sunday, June 30, 2019

The Maine Oracle ...Economy


The image for the "Economy" card was inspired by a difficult morning in April. I had been invited to two different events on a Saturday afternoon. Each event had its attractions.

I became more and more unsettled as I tried to figure out how I might make an appearance at both gatherings.

The Great Scot came to mind, and represented something beyond mere frugality. I thought of him after I had made my choice... I finally decided on a child's birthday party, complete with a Piñata and a Bouncy House. 

The card asks us to look at the choices we make in light of energy available, as well as emotional resources.

That said, you also might want to hang onto your wallet and pay those bills... "see surrounding cards" as they say.


Economy 
12 x 9"
Graphite on Stonehenge Cotton Paper

from The Oracle Series
soon to be digitally colorized and included in The Maine Oracle Deck

Thursday, April 25, 2019

The Maine Oracle

For lo these many years I have been fascinated by the insights that can be gleaned through the use of divination cards. There are many decks to choose from, and just as many schools of thought regarding the interpretation of the imagery used in the decks.

I have considered producing a deck of cards using my own work for quite a while. In January I began production on The Maine Oracle.

I live in Maine, and while many of my cards do reference my environment and the kinds of things that come to mind in general when thinking about Maine... Lobsters, Lighthouses and Pine Trees for example... my focus is on concepts and imagery useful to the overall philosophy of the deck.

Images are selected because they resonate with me as being descriptive of universal situations and considerations. I am not fitting the context around any preconceived notions of what might describe the Maine experience. I haven't designed a Blueberry Card for example, but there is a Lobster Card based on the Lobsters' behavior in captivity. When I found myself trying to force meaning on an image I had to move on.

The Maine Oracle is a divination system downloaded in the Great State of Maine.



Conscience

Thursday, April 4, 2019

About a Painting... Cast Off

"Cast Off" is a charm to ward off all manner of corrosive thoughts and actions which may weigh down the spirit of the viewer. The work has gone to a very good home in Nashville,Tennessee.

It was painted using casein, a very fickle medium... which I have thinned with acrylic air brush medium, rather than water. 

Sometimes it is best to try something new. You just never know.



CAST OFF

10 X 10
Casein and Acrylic Media
Photo by Jay York

Monday, February 4, 2019

A Beautiful Question

There is certainly ample fodder for outrage these days and it can be challenging to maintain mental equilibrium. 

I have always been fond of this quote by ee cummings:

Always the beautiful answer who asks a more beautiful question.

Therefore, I have been designing a number of elaborately framed question marks, the better to nudge myself into a more productive frame of mind.



A Beautiful Question on Faux Leopard

Digital Media
2019

Thursday, November 22, 2018

A repost, because reflection is in order...

From 2015

Thanksgiving, George Catlin and Refugees

I like Thanksgiving, however mythical or sketchy the origins of the holiday. 
I also like the artist George Catlin.

George Catlin traveled among the Native Americans, producing more than 600 portraits and illustrations of daily life among "the numerous and noble race of Human Beings". Catlin estimated their numbers to be in the neighborhood of 16,000,000. 

So much for the hubris of those who believe that the North American continent was somehow lying fallow before the first Europeans slogged onshore.

Be that as it may, and this a rare thing ...today is a day when white people in the USA pretty much agree that some of their forbears were in deep, dire and unpleasant straights and needed help which was freely given them by the Native Folk.

Today is a day that commemorates a remarkable community supper and the spirit of cooperation. 

So, once upon a time, there were the Pilgrims. They were immigrants. They were religious and political refugees. At home they were facing almost certain death. They travelled across treacherous waters to an uncertain future. They were down and out. They were given a leg up by the First Americans ...the "numerous and noble". The Native People showed them how to feed themselves and where to shelter. In gratitude the Native People were invited to dinner by the Pilgrims once the dust had settled.

Now, please pass the cranberry sauce and have a Happy Thanksgiving.


This lady is Kei-a-gis-gis,  
a woman of the 
Plains Ojibwa. 
George Catlin painted her in 1832.
She was lovely and she was here first.

Sunday, September 30, 2018

From the Transition Series..."Fabulist"

Trolls are interesting creatures, they can be large or small, horrifying to behold or as ordinary as any ordinary person can be. The only thing trolls have in common as a rule is this... they are usually not interested in bringing much that is positive into any given situation.

Contemporary trolls can be found on social media, and their methods range from mild disruption to pointed malice. Trolls of this sort are best approached with caution, or ignored altogether.


Fabulist 
Casein and Acrylic Media on Cradled Panel
10 x 10"



Friday, August 31, 2018

Aviation, or The Love Bomber

Here is a 38 second film of my Aviatrix. Her craft is self propelled and her aim is to shower as many people as possible with rose petals. We need all the help we can get. The machine makes quite a racket once the hydraulics kick in. The plane is very fast and has thrilled audiences around the globe. She may soon appear in a city near you.



Aviation
Acrylic on Canvas
24 x 36"

Photo by Jay York

Thursday, July 26, 2018

Throw Back Thursday and Memories of Philadelphia

This is a drawing from my High School days, this woman looks an awful lot like a very nice woman in SW Philadelphia where my family lived in the sixties. She dyed her rugs maroon one summer, and the dye left traces on the bottom of your sneakers. She was Polish and her daughter and I were friends for a short while. 

The daughter passed away in her twenties from what I understand. I often think about this woman and hope that the balance of her life was comfortable and blessed. 


The neighborhood was a rabbit warren of Roman Catholics. First Communion saw the smallest of us crammed into unaccustomed finery for our first trip up to the altar.




Sunday, July 22, 2018

"Conflict" is an online competition and group show hosted by Artspan


I am tickled pink to have had my work selected as the winner of this competition! 
Thank you Artspan!



More Alike than Not Alike
12 x 12" casein on birch panel
Photo by Jay York

While working on this piece I was reflecting on a thought that has often crossed my mind. It is this... When we as citizens put more emphasis on our perceived differences rather than our similarities, we leave ourselves vulnerable to those who would cynically exploit an all too human tendency to blame the "Other".
Here is an excerpt from Maya Angelou's "Human Family" which inspired the title for this piece...
I note the obvious differences
between each sort and type,
but we are more alike, my friends,
than we are unalike.


Please click on the link below to view the entire online show
https://www.artspan.com/art-articles/465/Conflict%3A%20A%20Group%20Show

Sunday, June 17, 2018

About a Painting...The Invention of Clouds II

I imagine a little wooden structure in the woods shuddering and hissing and sending out product. While I have an idea why weather is the way it is, it still remains a mystery as to when it will be the way it will be. The use of diagonal lines has come, for me, to represent the divisions between time and space... of things known and unknown... the mysterious other side of things as in “Frontier”.





The Invention of Clouds II 
in Process
14 x 18"
Acrylic And Casein Media






Frontier

8 x 8"
Casein on Cradled Panel


In "Frontier" the barrier is used as a metaphor for the division between what is right before the eyes and that which is unseen... the visible world and things metaphysical. Spirit and matter, where does one stop and the other begin? The barrier could also be closing in on a mind with a fettered worldview or opening to celebrate a happily altered state of being.

Saturday, June 2, 2018

The Colossus

There is an alarming consolidation of media giants in this country, from Sinclair to Fox to Comcast. I have dressed my giant in attire appropriate to the 1970s, he'd fit right into the film "Network".  The television is similar to the one I watched as a child, although I can't imagine my folks buying anything with a blond finish... which I've always loved.



The Colossus

26 x 18"
Casein and Acrylic Media
photo by Jay York
                  

Tuesday, May 29, 2018

Closed Circuit


Here I am considering the all too human tendency to seek out others with similar opinions, and the attendant danger of ignoring or discounting a point of view which may run counter to one’s own notions. The two utility poles are carrying information back and forth, but remain disconnected from any outside source.


Closed Circuit 
12x12"
Casein and Acrylic on Cradled Panel
photo by Jay York

Tuesday, May 1, 2018

In Process...The Colossus

This is a detail of a casein work nearing completion. There is an alarming consolidation of media giants in this country, from Sinclair to Comcast. I have dressed my giant in attire appropriate to the 1970s...he'd fit right into the film "Network". The television is similar to the one I watched as a child, although I cannnot imagine my parents buying anything constructed with a blond wood finish... which I've always loved. 



Detail of "The Colossus" casein on Birch Panel

Monday, April 30, 2018

Reincarnation Theatre


Our heroine has dealt with various and sundry demons, risen above stubborn problems (with the help of both earthly and unseen angels represented by a lute playing assistant who, now that I think of it, looks a bit like Jeff Spicoli). Finally, she assumes her chosen occupation as the self appointed Queen of Paris, France... she is a bit overwhelmed, but feeling that she is up to the challenge. Long may she reign.




Reincarnation Theater
Triptych mounted on Polychromed Wood Structure
Acrylic and Ceramic Tile
27 x 52 x 4"

Photo by Jay York



Monday, April 2, 2018

March has come and gone...

...and I have broken a cardinal rule of blogging. One should post AT LEAST once a month, here is a penance post. 

The All Seeing Eye on School Street
Acrylic on Panel
8 x 8 "



Wednesday, February 28, 2018

Networking

As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Kipling


Supplication 
Digital Media

Monday, January 1, 2018

Friday, December 1, 2017

About a Painting..."Grooming" from the Transition Series

There is a song in Richard Rodgers' musical "South Pacific"...


You've got to be taught to hate and fear
You've got to be taught from year to year
It's got to be drummed in your dear little ear
You've got to be carefully taught

You've got to be taught to be afraid
Of people whose eyes are oddly made
And people whose skin is a diff'rent shade
You've got to be carefully taught

You've got to be taught before it's too late
Before you are six or seven or eight
To hate all the people your relatives hate
You've got to be carefully taught.


Grooming

Casein on Birch Panel 
12 x 12"
Photo by Jay York


Thursday, May 18, 2017

About..."Shirtwaist (Second Wave)" from the Transition Series

This piece came to me as I was thinking about my mother's contemporaries, women who began to take a more active role in the trajectory of their lives, sparking the Second Wave of Feminism in the United States. 

Moreover, there is something very disturbing about a society which to this day does not consider better than half of its citizen's entitled to their full share of the American Dream. 

The Equal Rights Amendment still languishes in Limbo.



Shirtwaist 
48 x 24" 
Casein on Luan

Saturday, April 1, 2017

About..."Deterrence" from the Transition Series

"An eye for an eye will only make the whole world blind."
                                                                                                                   Mohandas Ghandi



Deterrence
9 x 22"
Casein of Wood Panel

Thursday, March 30, 2017

About... "Unsettled" from The Transition Series

Every now and then, I receive a comment on my work which so clearly describes my intention in creating the piece that I am left equally gratified and astonished. I posted this painting online and a Facebook friend, Anthony Taylor noted the following...

The suburban daydream being undermined by climate change and the population boom? Solipsism being undermined by unintended consequences? I see parody and social satire in your work that reminds me of Grant Wood!

I had to look up solipsism which Webster's describes thus: a theory in philosophy that your own existence is the only thing that is real or that can be known.

Well, that entirely works for me. Thanks Anthony.



Unsettled
Acrylic on Wood Panel
24 x 16"



Friday, February 24, 2017

About a Painting ...Five Element Charm

I am vaguely to moderately superstitious. However I do believe that lucky is generally what lucky does. There's a popular saying... "The harder I work, the luckier I get."
I decided to split the difference and create a charm for myself, inspired by the elements used in Feng Shui, while referencing the work of a dear and departed friend.

Earth, Metal, Water, Wood and Fire ...each element brings forth the next.


Five Element Charm
8 x 10"
Acrylic on Canvas Panel 

Friday, February 17, 2017

About... "The Year of the Rooster" from the Transition Series

The winds of change are blowing with might and main. I seem to function best when I channel my angst into work, and there is a meditative quality in painting with casein.
My observer is oddly composed in the face of the oncoming cyclone. I am not nearly as dispassionate, but I've always admired those with cooler heads.


The Year of the Rooster
12 x 12"
Casein on Birch Panel

Friday, February 10, 2017

The Fuji Series... James explains it all.



I am often asked about my series "New Views of Mount Fuji". No one has ever explained it better than my friend James Scarborough, who wrote the following piece for me back in 2008. I quote from it regularly. Thank you James.



Ricky Nelson anf Three Cupcake Fuji Montage
Digital Media
"Dorette Amell’s many-pieced and on-going series of views of Japan’s Mount Fuji is both funny and incisive. It shows what happens when you take something that is not just iconic (the snow-capped peak of Mount Fuji) but also so ubiquitous that it loses any aura it might have had.

Within the confines of popular culture, Mount Fuji is the Japanese version of the Golden Gate Bridge. Like the feat of engineering, the image of this feat of nature peeks through every building; it commands the view outside office windows. It’s been photographed and painted and drawn countless times. Whatever you do, it’s always there. It’s also a venerable subject for artists: consider Hokusai’s famous series of works that depict it.

But Amell doesn’t so much pay homage to the site itself as to the idea of creating serial images of the site. It’s just like Monet painting the same haystacks, the same cathedral facades over and over again, the better to capture its particular qualities present in each moment of ambient light. But she goes one step further: like Marcel Duchamp’s famous (or infamous, depending on how you look at it) LHOOQ (he expertly reproduces the Mona Lisa and then adds a little mustache), she takes a famous image and then has fun with it.

The fun consists in both the sense of scale... as well as the many and seemingly endless associations she broaches with the view: the mountain draped in leopard skin, in lion skin.

Fuji as a cupcake, subject to the forces of a magnet, decked out with horns or aliens, or else emerging from a forest; covered in rust, the destination of a dinosaur or a 1930’s Flash Gordon spaceship. Fuji as a trio of t-shirts that billow on a clothesline, in a tropical climate, in a not-so-tropical climate, decked out with flowers.

Amell’s series might look like it’s done tongue in cheek. Really, though, it comments on the way a familiar thing becomes invisible and so the only way to make it visible is to make it unfamiliar, novel, if not a little absurd.

A perfect example? Think of how the artist Christo would wrap entire islands, entire buildings, construct a fence that ran for hundreds of miles, the better to call (better yet, recall) attention to that which had escaped their public’s attention. Amell’s series of work is the bonsai version of Christo’s work: appealing, interesting, and not a little funny."

James Scarborough is based in Los Angeles and writes about art, theatre and film.

http://jamesscarborough.net/writing/